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Sexploitation » » Erotica » Grindhouse
Heterosexualis


1970      

Virgil Griffin is the janitor of a large apartment building in Hollywood that is a mecca of sexual activity. Yet, Virgil is unable to participate or even touch. He prefers to sneak around the dark corners of the night, peeking into keyholes and back windows.

The tenants use him as the buffoon in their constant and continuing sexual games. Lured by Emily and Nurse Metzmeyer, Virgil participates in a "serious medical study" that becomes a wild game of "doctor."

Virgil visits his sick and elderly father who lives in one of the apartments. He finds the old gent has chained the landlady to the bed and is biting into her buttocks with the false teeth of a vampire. Desperate to free the woman, Virgil strikes his father with a bedpan. The old man has a heart attack and with one last flick of a searching tongue, dies.

Waving a knife and screaming obscenities, Miss Victor, the landlady, turns on Virgil for killing his father who, we find out, has been her

secret lover. Virgil runs to Emily and Miss Metzmeyer for help. They cuddle and protect him. The scene ends as they rock him to sleep with nursery rhymes and a little breast feeding.

Miss Victor finds herself becoming attracted to Virgil. Her goal is to make him vile and filthy.

"I will teach you to be more like your father," she promises. ". . . How to expose yourself to little girls playing in the park. . . Or to press your precious pole against fat ladies as they bend over the bargain counter in department stores."

She hires Exotico to charm and excite Virgil into desiring a sexual experience. Exotico rubs meat and mashed potatoes over her lovely, naked body, inviting Virgil to lick off the mixture. Nothing works on poor Virgil, but the landlady, watching from the closet, begins to masturbate. In the frenzy of climax, she falls out of the closet calling Virgil's name.

Virgil sneaks up to the roof to sit quietly and brood. Mary Lou is there practicing a tap dance. She is dressed in a child's party dress. The sight of her black patent leather shoes tapping away arouses him instantly. To his amazement he is erect and ready to jump on the innocent little dancer. Pretending to be Richard Burton's brother, he courts her.

Mary Lou is receptive, and he plunges his big dipper into her honey pot.

Later that evening, Exotico practices her flamenco routine. Once more Virgil is stiffened by the sight of little stamping feet. Where once she failed, Exotico now succeeds. Virgil's climax is slamming her against the wall and beating her mercilessly with his new found club.

Discovering that Virgil is not Richard Burton's brother, Mary Lou walks out, having first told the landlady about Virgil's response to tap dancing.

Eagerly, Miss Victor buys tap shoes. They work and Virgil becomes a sex machine. She taps, and he performs. Ultimately, he is exhausted.

Miss Victor sells the apartment house to a new landlady and buys a castle by the seashore for herself, Virgil and the tap shoes. Virgil is now a weak, exhausted prisoner of sex barely able to whisper for help.

Mary Lou returns looking for Virgil, her one true dream of love. Miss Victor has hired two ambulance drivers to put the feebly resisting Virgil in a straight jacket and carry him off to the castle. They refuse because of his weakened condition. Miss Victor becomes so insistent and violent that one of the drivers ties her into the jacket instead, and carries her off, kicking and screaming.

All this happens in the middle of an orgy inspired by Emily and Miss Metzmeyer who invite the new landlady and the other ambulance driver to join in. Virgil and Mary Lou dance off into the sunset. In the final scene we see all of the sexual activity of the building taking place in one apartment: An insane but complete, completely insane Hetero-Sexualis.





Item Details:
pressbook




Heterosexualis

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CAST

Virgil .......................... Caleb Goodman
Marylou .......................... Becky Pearlman

with

Clair Thomas
Antoinette Maynard
Sandra Gould
Rosalyn Copland
Sharon Demille


Director .......................... John Hayes
Camera .......................... Henning Schellerup
Operator .......................... Ray Icley
Editor .......................... Harold Perkins
Sound .......................... Jim Stenberg
Production .......................... Harry Pope
Asst .......................... Myer Richardson
Props .......................... Victor Jones
Make-Up .......................... Anne Sugano







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